Thursday, July 7, 2005

A Florida man is being charged with 3rd degree felony for logging into a private Wi-Fi (Wireless Fidelity) Internet access point without permission. Benjamin Smith III, 41, is set for a pre-trial hearing this month in the first case of its kind in the United States.

This kind of activity occurs frequently, but often goes undetected by the owners of these wireless access points (WAPs). Unauthorized users range from casual Web browsers, to users sending e-mails, to users involved in pornography or even illegal endeavours.

According to Richard Dinon, owner of the WAP Smith allegedly broke into, Smith was using a laptop in an automobile while parked outside Dinon’s residence.

There are many steps an owner of one of these access points can take to secure them from outside users. Dinon reportedly knew how to take these steps, but had not bothered because his “neighbors are older.”

Thursday, January 22, 2009

Netizens have discovered the photograph that was used to create the iconic Barack Obama “HOPE” poster, which became a national symbol during his 2008 presidential campaign in the United States.

Los Angeles, California street artist Shepard Fairey’s poster design is an almost exact match to an Associated Press photo from October 2006 or earlier. Prior reports beginning on January 14, 2009 claimed that the poster was based on a different photo, a shot by Reuters photographer Jim Young from January 2007. However, on January 20, 2009 Flickr user stevesimula and blog commenters identified the Associated Press photo that appears to be a much closer match.

Fairey had revealed that he found the photographic basis for his four-color screen-printed design using Google Image Search, but could not or would not identify which photo he used. News broke of a supposed source only days ago. According to an earlier attempted analysis by Michael Cramer, it was a photo from TIME magazine which was reversed and stretched slightly. That photo was credited to “Jonathan Daniel” of Getty Images, but this turned out to be a misattribution. Reporter James Danziger of The Daily Beast tracked down the actual photographer for the TIME shot, Jim Young, and in his words “solved the biggest photographic mystery of the 2008 election”. Reuters also celebrated their photo as the basis for such a phenomenon as Fairey’s poster, and a print of the photo was sold to the Museum of Fine Arts in Houston. But it took only a few days for internet sleuths to show that, while similar, the Jim Young photo was not the one Fairey used.

The most convincing evidence that a different photo is indeed the one comes from Flickr: stevesimula produced a graphic comparing the two purported sources. The side lighting in the alternative photo creates highlight and shadow areas closely matching those Fairey used in his high-contrast stencil-like image, and the overlaid images line up precisely from Obama’s eyes to the shadow on his collar to his tie. Jim Young’s photo would have required manipulation to simply match the profile of Fairey’s design, even without considering details like the highlights and shadows.

The actual photo came from the Associated Press, as Wikimedians discovered using the “reverse image search engine” TinEye.com. That tip led photographer Tom Gralish of The Philadelphia Inquirer to the original photo through a Google image search for both “Obama” and “associated press”. The original contained IPTC metadata identifying the creator as Mannie Garcia, which Gralish quickly confirmed. The shot came from an April 2006 event where George Clooney, not then-Senator Obama, was the main attraction: Clooney was addressing the National Press Club about his trip to Darfur.

Fairey’s appropriation raises questions of intellectual property, as apparently no attempt was made to secure reproduction rights from the Associated Press. Sales of the image (on posters, clothing, and other paraphernalia) were used to fund the production of more posters in support of the Obama campaign, and raised Fairey’s public image considerably. A large hand-finished collage version was recently acquired by the Smithsonian Institution’s National Portrait Gallery. The purchase price is not known.

Monday, January 8, 2007

Vienna —

A crowd of about 250 activists from the Austrian National Union of Students (Österreichische Hochschülerinnen- und Hochschülerschaft, ÖH) as well as the Organisation of Socialist Students of Austria (Verband Sozialistischer StudentInnen Österreichs, VSStÖ) quickly reacted to the announced forming of the new Austrian coalition government by starting a demonstration in front of the University of Vienna, the largest in the country.

Specifically, the demonstration protested against the proposed plan of enabling students to do community service work at a rate of EUR 6 (about USD 7.6) per hour to work off student fees of about EUR 372 (about USD 475,8) per semester. These fees were introduced under the government of chancellor Wolfgang Schüssel, which ruled Austria from 2000 on.

The protest started directly in front of the university buildings on the famous Ringstraße. Protestors blocked the street by sweeping the street, symbolising the work students have to do in order to study. They proceeded to the headquarters of the SPÖ, where they chanted “Who betrayed us? Social Democrats!”, and later to the parliament building. After this, they announced to go to the ÖVP headquarters, when this reporter had to leave the scene.

On October 1, 2006, a new National Assembly was elected. The Social Democrats narrowly won the election, while the ÖVP suffered severe losses and fell to second place. Since then, intense negotiations between the two parties about a coalition have taken place and presumably ended today, when at 13:30 hours, SPÖ leader Alfred Gusenbauer and ÖVP leader Wolfgang Schüssel announced the finishing of negotiations and conciliation of the two parties in a new government, which is to be sworn in by President Heinz Fischer on January 11.

One of the deals struck today between the SPÖ (who called for the complete abolition of the controversial student’s fees during the election campaign) and the ÖVP calls for legislation enabling easier access to and higher scholarships, as well as reforms in the student loan system and, most visibly, a system whereby students will be able to work in organizations providing social and community services. For this work, they will receive EUR 6 per hour. The total fees for one semester amount to EUR 372; this means a student will have to work 62 hours per semester to fully pay the fees.

Monday, September 27, 2010

Ferrari driver Fernando Alonso won the FIA 2010 Singapore Grand Prix from pole position owned a day before. This became his second win in Singapore since 2008 and fourth win of the season.

Alonso was closely chased by Sebastian Vettel up to the finish line — both Red Bull’s were not able to catch Ferrari this weekend.

Lewis Hamilton’s McLaren car broke suspension after hitting Vettel’s teammate Mark Webber, racing him for third place. Another McLaren driver Jenson Button rushed to chase Webber after Hamilton found himself out of the race.

Nico Rosberg once again beat his Mercedes team mate, as the seven-time world champion Michael Schumacher finished only on 13th place. Rosberg ended up 5th.

Williams-Cosworth drivers Rubens Barrichello and Nico Hülkenberg clinched [Robert Kubica 7th place for Renault.

Pole Kubica was forced to visit Renault pits from sixth place with a tyre puncture but easily regained all but one lost positions on a set of his new tyres.

Alonso teammate Felipe Massa started from the rear of the starting grid after setting no time in the first qualifying session stopping on the circuit. Massa then done well in the race to come 9th.

Adrian Sutil owned one point for Force India finishing on the 10th place.

Mark Webber now heads the Drivers’ championship with 202 points, 11 points ahead of Fernando Alonso. Constructors’ ?hampionship standings is lead by Red Bull with 383, 24 points ahead of McLaren and 67 ahead of Ferrari. Vettel’s words to his team crew about the current win by Ferrari after he saw the chequered flag were “We will get there, don’t you worry”.

Saturday, November 27, 2010

A 19-year-old Oregon, U.S. resident has been charged with attempting to use a weapon of mass destruction after a sting operation; authorities say Mohamed Osman Mohamud, born in Somalia, tried to detonate a van bomb using a mobile phone at a Christmas tree lighting ceremony in Portland.

The device, police stated, was fake; he reportedly obtained it from undercover agents during a sting operation. Reports say Mohamud, a US citizen, had been in regular contact with somebody in north-west Pakistan.

Authorities intercepted e-mails they say were between Mohamud and this contact in August 2009. Holton reassured Oregon residents, adding that there was “no reason to believe there is any continuing threat arising from this case”. Mohamud allegededly told an FBI agent “I want whoever is attending that event to leave, to leave either dead or injured.” Dwight Holton, a U.S. attorney, described Mohamud’s “chilling determination” as a “stark reminder that there are people—even here in Oregon—who are determined to kill Americans.”

An FBI agent told reporters “[t]he threat was very real. Our investigation shows that Mohamud was absolutely committed to carrying out an attack on a very grand scale. I want to reassure the people of this community that, at every turn, we denied him the ability to actually carry out the attack.” On the day of the tree lighting ceremony, he drove a vehicle to the area where the event was to be held, and was arrested, prosecutors said, twenty minutes before the tree was to be lit. He kicked at agents as they tried to apprehend him and shouted “Allahu Akbar!” (God is great!).

Court papers indicated that an undercover agent told Mohamud that he was an associate of the Pakistani contact. When the agent and Mohamud discussed the plan, Mohamud said that he wanted a “huge mass that will be attacked in their own element with their families celebrating the holidays”. Mohamud told the agent that he had wanted to carry out a jihad (holy war) against the U.S. since he was fifteen years old.

Monday, January 19, 2009

The Pittsburgh Steelers and the Arizona Cardinals have won their respective conference championship games to advance to Super Bowl XLIII, the championship game of the National Football League. The game is scheduled to take place on February 1 in Tampa Bay at Raymond James Stadium. The Steelers were the American Football Conference champion, defeating the Baltimore Ravens by a score of 23 to 14. Meanwhile, the Cardinals became the National Football Conference champions by defeating the Philadelphia Eagles 32 to 25.

Ravens quarterback Joe Flacco was the first rookie quarterback in the history of the NFL to help lead his team to two straight playoff victories, defeating the number 3 seeded Miami Dolphins to win the Wild Card round, and the number 1 seeded Tennessee Titans in the divisional round. They came in to the game against a number 2 seeded Steelers team that had already defeated them twice during the regular season. Early in the game the Steelers defense dominated the field, forcing him to only complete 3 out of 14 pass attempts and end the half with a lowly 9.8 quarterback rating and his team losing 13 to 7. By the beginning of the second half, snow was beginning to fall. Early in the third quarter, Flacco threw a 16 yard pass to wide receiver Derrick Mason, only to be sacked by safety Troy Polamalu for an 8-yard loss on the next play, forcing a punt for the Ravens. The Steelers were held on their next possession, forcing another punt. After the Ravens got the ball back, Flacco led the team down the field in what ended as a 58-yard touchdown drive to put the team up 16 to 14. However, near the end of the game, Flacco threw an errant pass intended for Mason that was intercepted by Polamalu and returned for a 40-yard defensive touchdown. This made the score 23 to 14, and essentially knocked the Ravens out of the game.

With 3:19 remaining in the game and the Ravens in possession of the ball for one last chance, a passing play was called. Flacco dropped back into a throwing position, and threw a short pass to running back Willis McGahee, who caught the ball and turned upfield. Going full speed up the field, Steelers safety Ryan Clark collided with McGahee, also running at full speed. The two made helmet-to-helmet-contact, knocking both players to the ground and knocking the ball out of the hands of McGahee. Ray Rice, another running back, commented “It was tough to watch. He’s like a brother to me.” Clark was helped off of the field by the Steelers medical staff, but McGahee remained down on the field with movement in only his legs and arms. He told team doctors that he had significant pain in his neck, and was taken off the field on a cart and taken to a nearby hospital. It is unknown how severe the injuries are at this time.

After the game, Ravens coach John Harbaugh said in a statement “I’m not going to sit here and say Joe played a certain way. Joe went out there and competed and battled and fought and tried to find a way to win the football game. So I certainly have no complaints about that.” Flacco completed only 17 out of 30 pass attempts for 141 yards passing. He was also sacked 3 times and threw 3 interceptions. “I’m not blaming it on any rookie-wall stuff. I don’t believe in any of that stuff,” said Flacco.

In the NFC championship, the Arizona Cardinals had not made it to a Super Bowl in the past 60 years. They were matched up against the high-powered offense of the Philadelphia Eagles, who were the number 6 seed in the NFC. The Cardinals were the number 4 seed, defeating the number 5 seeded Atlanta Falcons on Wild Card weekend, and the number 2 seeded Carolina Panthers in the NFC Divisional playoff round. The Cardinals were led by quarterback Kurt Warner, who became the second quarterback in NFL history to lead two different teams to a Super Bowl, the other being the St. Louis Rams. During the first half, the Cardinals quickly took the lead. By halftime, their lead was extended to 18 points in what looked like an easy win for the team. However, in the third quarter, Eagles quarterback Donovan McNabb threw three touchdown passes, two of them being to tight end Brent Celek. After kicker David Akers missed an extra point attempt after the third touchdown pass, the score was 25 to 24 in favor of the Eagles. After the Cardinals received the ball, they drove up the field. With just under 3 minutes remaining in the game, Kurt Warner completed a game-winning touchdown pass to running back Tim Hightower, making the score 32 to 25,. and sealing the game for the Cardinals.

Kurt Warner completed 21 passes out of 28 pass attempts, for a total of 279 passing yards. Wide receiver Larry Fitzgerald caught three touchdown passes of 9, 62, and 1 yard, building on his record-breaking playoff performance of 23 catches, 419 yards, and 5 receiving touchdowns over 3 games. “It really set in when I saw the confetti. I always dreamed of being in the confetti. This is beyond my wildest dreams,” said Cardinals linebacker Bertrand Berry after the game. On the other side, Donovan McNabb remarked on not making it to the Super Bowl again. “You never want anything to end. It’s tough when you’re that close to making it to the Super Bowl,” he commented.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Monday, June 23, 2008

2008 COMPUTEX Taipei, the largest trade fair since its inception in 1982, featured several seminars and forums, expansions on show spaces to TWTC Nangang, great transformations for theme pavilions, and WiMAX Taipei Expo, mainly promoted by Taipei Computer Association (TCA). Besides of ICT industry, “design” progressively became the critical factor for the future of the other industries. To promote innovative “Made In Taiwan” products, pavilions from “Best Choice of COMPUTEX”, “Taiwan Excellence Awards”, and newly-set “Design and Innovation (d & i) Award of COMPUTEX”, demonstrated the power of Taiwan’s designs in 2008 COMPUTEX Taipei.

Saturday, November 25, 2006

With the hopes of funding the creation of a statue in northern India that would end up dwarfing the Statue of Liberty, an unprecedented collection of Buddhist artifacts continue crisscrossing American, Europe, and Asia in three different, but related collections.

The Maitreya Project, the brainchild of Lama Zopa Rinpoche, seeks to build a monument and development dedicated to Buddhism at Kushinagar, Uttar Pradesh in northern India. The centerpiece of this massive development will be a 152m (500 ft) bronze statue of the Maitreya Buddha, the Buddha of the future.

Buddhist belief says that there have been Buddhas in the distant past and there will be Buddhas in the distant future. The historical Buddha, the one who was born in India about 2500 years ago, is known as Shakyamuni Buddha. Buddhist belief says that sometime in the distant future the teachings that Shakyamuni Buddha brought to Earth will fade away. At that point the Maitreya Buddha will be born and gain enlightenment in order to refresh and renew Buddhist teachings.

Along with the statue, the development is also planned to include temples, exhibition halls, parks, a museum, library, and a theater as well as a hospital and educational center.

In order to move forward with this project the Maitreya Project has created collections of artifacts that are touring the world. Once the statue is built these artifacts will be housed in it for viewing.

Buddhist artifacts are usually associated with the body of the person involved. While they can be such things as bone and teeth, usually they are pearl-like objects that are found and collected after the enlightened person is creamated. These pearl-like objects are called ringsel.

There are three collections of artifacts currently touring American, Europe, and East Asia. They include relics from the immediate past Buddha, called Kasyapa, the historical Buddha, five of his original disciples, several Tibetan and Zen masters, and the 14th Dalai Lama, Tenzin Gyatso.

Wikinews reporter Richard Kinne spent three days with the relics when the North American tour came to Ithaca, NY a few weeks ago. The relics travel with two caretakers, one of whom is always in close proximity to the relics. Setup for the relics display can take about four hours depending on the venue. Taking it down takes a bit under two hours.

Each morning of the tour the relics are taken out of their padded case and placed in clear plexiglass display cases. The relics are displayed individually in small containers called stupas. Some containers appear very full, while others contian just one very small object. Each evening the process is reversed and the padded case stays with the relic caretakers.

Between the morning and the evening people from all walks of life come to see the relics – believers, people who are curious, academics, Buddhist monks and nuns, both older folks and small children. While the Heart Relic Tour just does deals with displaying the relics, the sponsoring venue can add to the display in various ways such as lectures, meditation classes and demonstrations, or various other rituals.

The tour in North America reaches Jacksonville, FL during the first weekend of December. From there it will go to Miami between the 9th to the 11th, and then to Phoenix, AZ between the 15th to the 17th. In Asia the tour spends time in Malaysia in the first part of December.